I’m super excited to talk about the new Well Inked Box! On first glance, I thought the supplies might be better suited to a bullet journaler or someone with better penmanship (especially with that fancy looking fountain pen!) but then I thought, “When have I ever been limited by the type of pen or notebook when making art?!”
After that realization, I couldn’t wait to explore and experiment with each item:
The Zebra mildliners definitely called out to me first. I’m a sucker for muted colors and I knew I wanted to create a spread with the gorgeous muted blue and yellow as a focal point. The colors reminded me of a Sktchy app portrait I’d been saving, so I decided to draw it to test everything out!
I sketched out the portrait with the Zebra fountain pen in the Cognitive Surplus Experiment Notebook and then used the Zebra Mildliner Highlighters and Zebra Metallic Brush Pen to color the portrait and create a messy background. The fountain pen is just as good for drawing as it is for writing – maybe one day I’ll have the patience to take up calligraphy and use it to its full potential!
I absolutely adore the blue and yellow colors together, and I used the metallic pen to add some “shadows” to the portrait. The only thing I wish I’d realized earlier is that the black fountain pen doesn’t write over the metallic ink, but luckily I was just experimenting and didn’t have a solid plan for how I wanted the page to look.
The notebook did pretty well with my heavy use of the pens. The fountain pen did bleed through a little bit but that’s because I’m over the top with my outlines and inking. As you can probably tell, the t-shirt and headphones were the parts that bled through the most! I’m sure if you were using the pen in a reasonable manner, there would be no problem.
Overall, I’m really happy with these additions to my art arsenal! The metallic pen and muted colors are right up my alley, and I can never say no to a black ink pen. I’m excited to keep filling up the notebook and continue my exploration of the Well Inked Box supplies.
If you’re new to Well Inked Box, use the code LTJ2018at checkout for 15% off your first box!
My main project for 2018 is recycling painful past journal entries to create new art and make peace with the past.
I wasn’t kidding about taking my time with this project, huh? I started this second spread in January and I finished it this morning, but I think during that time I finally figured out the right balance of old versus new that I was trying to achieve. Even though it’s probably going to be my most light-hearted page, I’m glad I took the time to process it and build on it.
The meaning behind this page isn’t very deep. Dexter Holland (The Offspring) was my first teenage crush and 2000 was the peak of my obsession – I don’t think there was a journal entry from this time that didn’t mention him. It was such a pure over-the-top teenage girl crush that I thought it was only right to preserve it and dedicate a spread to him!
As usual with this project, I tore up pages from an old journal (summer of 2000) and painted over them. I left some writing and clipart about Dexter peeking through and added pictures of him and Noodles that I drew in 2000. I added in the drawing/painting of the Smash album art, some doodles based on other Offspring album art, and lyrics. I think I made a page that 13 year old me would be proud of!
Who was your first teenage crush? Do you still like them or do you look back on it with a “what was I thinking?!”? I would love to hear about it!
My main project for 2018 is recycling painful past journal entries to create new art and make peace with the past.
I started keeping journals in the summer of 2000, just after turning 13. My first attempt at journaling was quite cute, really. It stemmed from boredom at having to be dragged around the country watching my younger brother play cricket. I was still slightly too young to stay home alone, so 3-4 times during the summer holidays we would stay in hotels for 2 or 3 nights at a time and visit different cricket grounds around Wales and England. To amuse myself, I would provide a running commentary of our travels while writing about my favorite things (namely The Offspring, my cuddly toys, wrestling, and boys – it was a simpler time) and also fill the book with little doodles – I was sort of art journaling before I even knew the term!
I decided to start this project with the journal from 2000 not only because it made sense chronologically, but because I thought it would be an easy one to deal with. I was barely a teenager and my writing was still very upbeat and optimistic (even though I was bored and hated not being at home on the computer!). However, I still found it difficult to start this process.
It took me two weeks to finish the first spread, which was frustrating to me. During my Year of Creative Habits project last year, I got in the habit of making journal pages quickly and often. I think this is going to be a good lesson in slowing everything down and taking my time. I will have to keep reminding myself that this isn’t something I can just finish in a day, week, or even a month. Just because I am able to complete pages quickly, it doesn’t mean I necessarily should. I want to make sure I do this right and in a way that I won’t regret later.
I made the decision to do my best to preserve any art I made or ephemera I kept from the time. I am also keeping a note of anything I think might be important for me to remember, with the rest being torn up and covered over. Here is how the first spread turned out:
The page turned out messier and busier than I would have liked, but I think it was because I started pushing paint around in frustration. I wanted to start but I didn’t know how. Slapping paint on haphazardly meant I was at least doing something with it.
I was tempted to update the doodle and make it bolder/better, but ultimately thought it was better to keep it the way it was drawn the first time. I think it gives that part of the page a dreamy, “in the past” look. I also kept the Offspring clip art I was so proud of!
Hopefully now that I’ve made one page, it won’t be so difficult to carry on… but I’m also allowing myself to slow down and take as much time as I need.
Last month I traveled back to Wales and was reunited with my old written journals from my teenage years. All I had to do was pack them into my suitcase and I’d be ready to start my main 2018 project: destroying the journals and making new art from them in an attempt to make peace with the past.
However, I received some unsolicited opinions on one of my Instagram posts about the project and, being the indecisive person I am, was thrown back into doubt. Am I going to regret this in the future? Will this turn out to be a huge mistake? I was plagued with the same old questions, but I packed the journals in my suitcase nevertheless.
I tried to remind myself of the last time I was sure I wanted to start this project. Just before I moved cities in October, I saw that my favorite band from my teens (The Offspring) were playing shows near my new place. Not only that, but they were playing an album that had been really important to me and got me through some tough times – I had to see them! I was a little apprehensive that they would be washed up and nowhere near as good as I hoped, but any worries about that disappeared as soon as they hit the stage. They were phenomenal and it was one of the best concerts I’ve been to.
Just before the band played a special stripped down version of one of my favorite songs (Gone Away), Dexter Holland talked briefly about how the song had changed for him over the years and how it means something different to him now. The version they played was beautiful and I’m not ashamed to admit that I cried my eyes out. I was crying because of how amazing it sounded, but I was also crying because I knew exactly what he meant. During their set, I could feel the songs take on a whole new meaning to me. I will always remember the pure joy of that night whenever I listen to their songs now, and not the sadness that I used to feel. I felt like I was making peace with part of my past and I wanted to continue.
Even though I reminded myself of this, almost a week after New Year, I still hadn’t touched the journals. I almost put them in the closet to forget about, until a couple of days ago when I was pulling tarot cards for the year ahead. When I revealed the card for the overall “theme” of the year, I couldn’t help but smile. I pulled the Six of Chalices (Cups). I’m still in the process of re-learning the meanings of tarot cards, so I consulted the little book included with my deck to confirm what I thought it meant. I liked this extract:
The world can be harsh and unforgiving, and it’s easy to let the sorrow and grime of daily living dull the vibrant shine of your existence. But the river that flows through the Six of Chalices offers a chance to buff it clean. Renew yourself. Break the cycles of suffering… ~ James R. Eads
I’m sure the card will mean even more to me as the year goes on, but I took it as a sign that now is the time to start this project. I don’t want to erase memories (trust me, as long as I am capable, I will always remember my past) but I want to extract the positive, break cycles, and make peace. It also wouldn’t hurt to make my embarrassing angst a little more cryptic in case the journals fall into the wrong hands!
I just need to make one last decision… which journal do I use?!
In February 2017 I laid out my goals for the year on the Get Messy forum. I was concerned it was too ambitious with working a 40 hour a week job, but I think I did pretty well! Here’s how my year went:
Goal 1: Participate in Get Messy ✓
My goal was to create at least one page a week and get better at working from the prompts. I ended up completing 5 seasons of Get Messy during the year (Gifts, Art 101, Contrast, Color, and Fairytales) and I definitely created at least one page a week! I tried (to varying degrees) to get better at working from the prompts, but I think it confirmed to me that I don’t enjoy working from prompts and they’re not helpful to how I work in my journals. Even though I enjoyed aspects of the group (mainly the community) I decided that I would not be continuing with Get Messy into 2018.
Goal 2: Complete Year of Creative Habits ✓
I am still stunned that I managed to complete this goal! Sure, the end result wasn’t how I envisioned, but I think I prefer how it turned out. My original plan was to make art on a post-it note every day and stick them in mini journals. After 100 days of this (which I think is an accomplishment in itself!) I started counting everything creative I did towards YOCH. I have never followed through on an art challenge before this, so I am proud of myself for persevering! See my 2017 Year of Creative Habits project.
Goal 3: Collaborate ✓
Technically I kept this goal! I have been working on a collaboration with Beatriz Helton since January 2016, which I continued until April 2017. I think we both got a little burnt out on it and wanted to pursue other projects – but it still counts! I also wanted to try collaborating with Messians. A number of the collabs fell through, but I did finish a Women Rising Collab with Vanessa Oliver-Lloyd. Basically, I did collaborate but not as much as I had planned. Honestly, I learned that I find collaborating very difficult – but maybe that’s a post for another time.
Goal 4: Work in my “main” journals ✓
I’m not even sure what “main” journal even means anymore, since I started about 20 different art journals/sketchbooks this year! But I did other projects besides Get Messy and the post-it notes, so I’m taking this as a win.
Goal 5: Submit work to zines ✓
I submitted my work to 7 zines in total, and I had my art featured in 4 of them! I had 1 rejection, 1 zine fell through, and the other is still in the works (hopefully). I’m really happy with how that turned out! One of the zines also involved being involved in an art show, which was an amazing (albeit terrifying) experience.
Goal 6: Project Life/Awesome Ladies Project ✗✓
Well, technically I didn’t complete this goal – but something else came of it, which I see as a bigger win. My plan was to try and do a version of Project Life for my Awesome Ladies Project throughout the year, but even at the time I wasn’t convinced I’d have time for it. I put it down as a “loose” goal and proceeded to do nothing towards Project Life haha. HOWEVER, in July 2017 I was chosen to be a Creative Team member at the Awesome Ladies Project, created four projects, took part in 100 Days of All About Me, and contributed two blog posts using the ALP Story Journal. I think that outweighs not starting Project Life haha.
Other Highlights from 2017
I sold some art! I painted three commissions and sold postcards on Etsy
Honestly, I am stunned at everything that happened this year! I think I’m going to slow it down a bit in 2018 and keep my goals simple (mainly because I am now working a job I love and I want to dedicate more time to my “real” career). Here are a few things I want to accomplish this year:
Sell more of my art
Begin my recycled journal project
Keep working with the Awesome Ladies Project and Book of Me
Set up a YouTube account
Contribute to more zines/be involved in the zine community (I will be involved in a Zinefest as part of my new job)
Generally make art I love
Here’s to an arty and productive year! How did your 2017 go? What are your goals for 2018? I’d love to hear about them!
Originally posted August 3, 2014 on etherealsolitude.wordpress.com. I am posting it as a pre-cursor to the project I will be restarting next year: recycling painful past journal entries to make new art & hopefully heal old wounds.
In 2011, an article appeared on an Archives mailing list I am subscribed to and it really struck a chord with me (so much so that I’m still thinking/writing about it three years later!). As my title suggests, the article is about the keeping, and eventual burning, of diaries.
My purely written journals were kept throughout my teenage years and, like the author of the article, I wrote in them compulsively. I would say I have about 80% of of my teenage days documented in those notebooks. You might think that this is amazing, that I can reach under my bed and find out exactly what was happening 10 or 15 years ago, but those scribblings are hideous. High school was the worst time of my life and it definitely shows in those pages. You would think that over time I would be able to read them objectively, like looking into the life of someone else, but I can relate to the what the author says about that too:
[…] I riffled through the pages, reading. I was shocked that even things that had happened 20, 30 years ago felt as familiar and as raw as if they had happened yesterday. That so unnerved me that I stopped reading. I didn’t want to wade back into those depths, where a powerful riptide still churned.
Whenever I decide to delve into them for whatever reason, I’m transported back. I suppose it doesn’t help that the journals are kept in the same bedroom I did all the writing, but I’m fairly sure the same feeling will creep over me wherever they are kept.
The article also reminded me of something an English teacher said in class one day – that people pretended that writing diaries was for the writer only, but really they wrote in diaries secretly hoping that other people would read them, otherwise what was the point in keeping them? In my shy way I attempted to argue that keeping a diary was just a kind of therapy, to purge all the negative thoughts and try to make sense of the world. I think he agreed with that, but he stuck to his theory. It did make me question my motives for a while, as I used to have a fantasy that I would bury my journals somewhere and they would get found well into the future by interested people, but in all honesty I would be appalled if anyone read them – even people in the distant future who wouldn’t know me.
This is why the article interested me. The author did not want to be remembered by those painful diaries, and so she burned them:
Burning those diaries, I realized I didn’t want my sons to know how profoundly I had suffered from the slides down the chutes, the tumbles through the holes that gaped open in the scaffolding of my life. That would be too hard for them. I wanted them to remember me as one who clambers back. That’s the person they grew up with. A person who picks herself up and gets going again.
I can relate to that. My journals were written when I had a lot of growing up to do… they are immature, melodramatic, and embarrassing. But what else can you expect from a teenager? I still don’t want to be remembered that way, regardless. It’s very difficult to decide what to do. If I decide to burn them all, then there’s no going back and I’d just have to let it go. I could be selective about what I remember from that time and wouldn’t have to deal with the pain after reading them. Sometimes I think that having too many memories can be a bad thing; maybe I would have let some stuff go a long time ago if they weren’t hanging around? Sometimes I think that they have too much of a hold on me and it would be best if one day I just decided to dispose of them.
I always get the first part of the monologue from Marry the Night: The Prelude Pathétique by Lady Gaga stuck in my head when I think about this. It’s a nice thought. However, I don’t know if I could burn my journals. As much as I feel ashamed by them, I can’t escape that it all happened and led me to being who I am now. From an Archivist perspective I would also be destroying memory (or memory aids, at least). I can’t help feeling like I would regret that.
Last year I had the idea to “recycle” old journal entries and make them into a new art journal pages. I described the project as attempting to make peace with the past; I guess I was trying to “fill in all the ugly holes”. Here are two pages I made using journal entries (and drawings) from 2001 (the lyrics on the right are by Slipknot, I promise it has relevance):
I’m not sure how I feel about the process now, especially since my journals were helpful in dating a lot of the photographs I’ve been organising recently. This is going to sound pretentious, but maybe I should write memoirs from them with all the “important” stuff (to me, I’m not honestly expecting anyone to be interested in my inane teenage years!) and burn or recycle the rest? I’m just thinking out loud, I don’t know if I’ll ever come to a decision with this.
I’d love to know how other people feel, though. How would you feel about people finding your journals? Do you feel like you write purely for yourself? Could you ever destroy your journals? I’m also really interested to know if fellow art journalers happily let others look through their art journals? Even though I share a good chunk online, they’re still journals and I’m pretty guarded about people having free reign. Please share your thoughts!
In January I published a blog post called Pushing Through the Fear, which was all about how in 2016 I would be pushing myself out of my comfort zone and start believing in myself and what I create:
For as long as I can remember, I’ve had a problem with “putting myself out there”. Not only am I an introvert, I am a fairly shy introvert. I’m nowhere near as shy as I used to be, but still; I don’t enjoy being the center of attention, I don’t know how to take a compliment, and I often worry that, when I do try to put myself out there, I’m coming across as pushy or thinking too much of myself. This isn’t exactly helpful when you want to share creative projects and get involved in a community.
I have many conversations with my husband about what makes someone an artist, since he calls me one and I completely avoid using that word to describe myself. He thinks that you don’t need formal training or an exhibit at a prestigious gallery; anyone who creates things is an artist. I obviously have a different opinion, although only when it comes to myself it seems.
Recently I’ve been thinking more about this avoidance and how rationalizing “not being an artist” holds me back. I use it to talk myself out of sharing or submitting work, making things for people, or getting involved with other artists. I fear putting myself out there and that my work isn’t good enough, so it’s easier to tell myself that I’m not a “real artist” rather than risk whatever it is I think is going to happen if I try.